Performers John Hay and Sarah Steben take part in Bill Viola's video art piece "The Fall into Paradise," part of his exhibit "The Moving Portrait" now featured at the National Portrait Gallery. COURTESY PHOTO
WASHINGTON D.C. — Moving pictures meet portraiture. Video, a popular media form used for almost any purpose, is rarely utilized for slow, perceptual contemplation often achieved in paintings or music.
Bill Viola’s work “The Moving Portrait” does exactly that. His work is more akin to portraiture rather than narrative stories often seen in video. His work focuses on facial language and slow-motion to allow a calmer, meditative attention to his footage.
These videos focus on the physical actions of his subjects rather than the promise of a narrative climax or conclusion to maintain interest. Examples include “The Raft”, a high-definition video projection of nineteen people suddenly hit by a high-pressure stream of water.