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Kagan says video shows evidence of inappropriate touching

  • Published in State

State Sen. Cheryl Kagan (left) and lobbyist Gil Genn.  FILE PHOTOSCheryl Kagan (left) and Gil Genn (right). FILE PHOTOSNewly-released security camera footage of an interaction between State Sen. Cheryl Kagan (D-17th District) and lobbyist Gil Genn is leading to different explanations from both parties roughly two weeks after Kagan accused Genn of touching her inappropriately.

The footage from a March 1 event at Castlebay Irish Pub in Annapolis shows shows Genn, a former state delegate and Kagan greeting one another with Genn putting his hand on Kagan’s back and whispering something to her before sliding his hand off her back, after which both spend the rest of the video in conversation. The footage does not make it clear how exactly Kagan reacted to Genn’s touch, as both continued talking in the crowded Annapolis bar.

Kagan – who in a March 2 statement accused Genn of touching her inappropriately by placing his hand on her back and then “[sliding] it down” – claimed the video validates her accusations.

“I was really uncomfortable,” Kagan said in a press conference Tuesday. “I wanted the incident to end. I wanted the interaction to end. He kept talking.”

However, Genn’s lawyer said the video exonerates Genn of any inappropriate behavior.

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Center Stage: Bill Viola’s art slows time to create mindful contemplation

Bill Violas The Fall into ParadisePerformers John Hay and Sarah Steben take part in Bill Viola's video art piece "The Fall into Paradise," part of his exhibit "The Moving Portrait" now featured at the National Portrait Gallery. COURTESY PHOTO

WASHINGTON D.C. — Moving pictures meet portraiture. Video, a popular media form used for almost any purpose, is rarely utilized for slow, perceptual contemplation often achieved in paintings or music.

Bill Viola’s work “The Moving Portrait” does exactly that. His work is more akin to portraiture rather than narrative stories often seen in video. His work focuses on facial language and slow-motion to allow a calmer, meditative attention to his footage.

These videos focus on the physical actions of his subjects rather than the promise of a narrative climax or conclusion to maintain interest. Examples include “The Raft”, a high-definition video projection of nineteen people suddenly hit by a high-pressure stream of water.

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