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Baby we all live in a reggae Yellow Dubmarine

DubmarineYellow Dubmarine performing at Strathmore AMP. PHOTO BY MATT HOOKE  As soon as Yellow Dubmarine started their set with a cover of The Beatles “Norwegian Wood,” you could tell this was not your average tribute band. With horns replacing George Harrison’s distinctive sitar intro, and the songs’ folksy atmospherics replaced by a steady reggae pulse, the audience Friday at Strathmore AMP quickly piled onto the dance floor to groove to Beatles classics reimagined as reggae jams.

“It was just an idea that came to us one day,” said bassist Aaron Glazer. “We started with just four people and then grew, with percussion and horns, and it took on a life of its own.”

The seven-piece band featured a three-piece horn section, along with a rhythm section of guitar, bass, drums, hand percussion, and keyboard. This extensive lineup allowed them to vary their arrangements throughout the night.

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Daymé Arocena brings modern Cuban sounds to Strathmore AMP

Dayme Arocena1Afro-Cuban vocalist Daymé Arocena (center) with bassist Rafael Aldama (left), and drummer Raul Herrera (right). PHOTO BY MATT HOOKE   “Give these people more alcohol,” yelled Afro-Cuban vocalist Daymé Arocena in response to the quietly seated crowd at Strathmore AMP on Friday.

In the end, her pleas worked, and the audience got out of their seats en masse to groove to Arocena’s unique take on Cuban music.

“I’m not trying to make something brand new, I’m just trying to follow my sense,” said Arocena. “I’m from the 21st century. My music isn’t going to sound like what was made 50 years ago; it’s going to sound how I sound.”

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