Living life according to a Bronx Bomber at Best Medicine Rep

Liz Galuardi, Paul Reisman, and Rebecca A. Herron performed "Derek Jeter Makes the Play" in a October 2017 reading at Best Medicine Rep.  COURTESY PHOTOLiz Galuardi, Paul Reisman, and Rebecca A. Herron performed "Derek Jeter Makes the Play" in a October 2017 reading at Best Medicine Rep. COURTESY PHOTO  Who wouldn’t want to be Derek Jeter?

The retired player for the New York Yankees was a five-time World Series champion, noted for his hitting, base-running, fielding, and leadership.

He’s also a business owner, philanthropist – and good-looking.

Constantly asking what the famed shortstop would do is another matter. But that’s the conceit of “Derek Jeter Makes the Play” by Robin Rothstein. After first featuring the comedy in a reading last October, Best Medicine Rep is now showcasing the play in a full stage production later this month, directed by Linda Lombardi.


Recluse embraces life at world’s end in Highwood Theatre’s ‘Soon’

Cast of student actors – in rep with adult pro production – of ‘Soon’ at Highwood Theatre.  COURTESY PHOTO Cast of student actors – in repertory with adult professional production – of "Soon" at Highwood Theatre. COURTESY PHOTO  It was a dream come true. When Nick Blaemire and his half-brother, James Gardiner, were only 22, they opened a play on the Great White Way.

“We wrote a show called ‘Glory Days,’ which Eric Schaeffer was kind enough to produce at Signature Theatre,” said Blaemire. “The next year the show went to Broadway.”

Although “Glory Days” closed on opening night, he called the experience “one hell of a ride.”

Since then, the theatrical jack-of-all-trades has appeared in a few Broadway shows, and in the off-Broadway revival of the musical “Tick Tock Boom!”

When Signature presented his musical “Soon” – for which Blaemire had written the book, lyrics, and music – It “was among the most joyous times of my life,” he said. “Signature has been my home away from home.”

“Soon” is now coming to The Highwood Theatre, reflecting the season’s theme of “Off Your Rocker.” The play also constitutes Highwood’s fifth annual Open Source Festival – redefining the conception of traditional nights at the theater, said Matthew Nicola, artistic director.


Olney Theatre shows life is worth living with “Every Brilliant Thing”

Alexander Strait (left) takes direction from Jason Loewith in Olney Theatre rehearsal of “Every Brilliant Thing.” COURTESY PHOTO BY TIMOTHY HUTHAlexander Strait (left) takes direction from Jason Loewith in Olney Theatre rehearsal of “Every Brilliant Thing.”   COURTESY PHOTO BY TIMOTHY HUTH  There are bucket lists everywhere, even in the popular song “My Favorite Things” from “The Sound of Music.”

Then there’s “Every Brilliant Thing,” an ever-changing list of objects and experiences that make life worth living. In a play of the same name, a young boy compiles such a list, in an effort to persuade his mother, who had attempted suicide, not to do it again.

“Every Brilliant Thing” is the next production at Olney Theatre Center, opening Feb. 28. It marks the premiere of the one-person play, which Duncan Macmillan wrote with the cooperation of Jonny Donahoe, the original performer.

Jason Loewith, Olney’s artistic director, is staging the production.

It was serendipitous that “Every Brilliant Thing” came to Olney. Loewith happened to see the script in a London bookstore, bought it, and read it on the plane ride back.

“I burst into tears on the second page, and then into laughter,” he said. “The play is poignant and wonderful.”


A poignant "Steel Magnolias" comes to Kensington

Steel MagnoliasEdye Smith and Emily Karol rehearse scene from “Steel Magnolias.”   COURTESY PHOTO  After the death of his younger sister to diabetes, American writer Robert Harling penned a short story, “Steel Magnolias,” which he later adapted into the 1987 off-Broadway hit play.

Harling also wrote the screenplay for the 1989 film version, which became a hit on the strength of the performances of its powerhouse ensemble cast which included Sally Field, Julia Roberts, Shirley Maclaine, Olympia Dukakis, Dolly Parton and Daryl Hannah.

While director John Nunemaker might lack Harling’s family history, his background – a childhood spent in a rural area north of Hagerstown and getting his hair cut at a beauty salon – meshes with the play’s inherent strengths to give him a strong affinity for “Steel Magnolias,” which opens next month at Kensington Arts Theatre, where Nunemaker also serves as the theater’s artistic director.


Love comes in many forms on Rockville stage

IMG 6470 copy guyker almost maineAlexandra Guyker rehearses one of her roles in the play "Almost, Maine" at Rockville Little Theatre. COURTESY PHOTO  Sabine is a woman at an exciting point in her current relationship when she bumps into her ex at a bar. The meeting provokes a juggling act between past feelings and guilt, and the ways people deal with moving on.

Gayle has been in an 11-year relationship that’s apparently going nowhere. She finally brings it all to her boyfriend’s door, literally.

After many years away from her high-school sweetheart, Hope is looking to find her place in the world – with him.

These are some of the various characters in John Carian’s oft-performed play “Almost, Maine,” now on stage at Rockville Little Theatre. The play comprises nine two-character short plays that explore love and loss in the titular, mythical town.

Alexandra Guyker portrays Sabine, Gayle and Hope.

“All three characters have experiences I myself have dealt with, so it is easy to connect to each one when I look back on those times in my life,” Guyker said. “Because they’re different people, it’s important I take some time before each scene and really think about where I was before. But I rely on the author’s words to show the differences in their thought processes, pace, and emotions.”


Time for 'One Man, Two Guvnors’ and lots of mayhem

“One Man, Two Guvnors” proves that there are no truly original plots.

The work, written by British playwright Richard Bean, is an adaptation of “Servant of Two Masters,” a Commedia Dell’arte style comedy dating to 1743. That, in turn, derives from ancient Greek comedies.

The adaptation, which played on Broadway after the original British run under the direction of Nicholas Hytner, takes place in 1963 Brighton, an English seaside resort.

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