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Olney’s “Crucible” finds new life in Miller’s classic drama

Choreographer Kelly Crandall d’Amboise with Dani Stoller, other cast members, rehearsing ‘The Crucible.’ COURTESY PHOTOChoreographer Kelly Crandall d’Amboise with Dani Stoller, other cast members, rehearsing ‘The Crucible.’ COURTESY PHOTO  As literally written and usually played, Abigail Williams is the antagonist of “The Crucible,” Arthur Miller’s 1953 dramatized and fictionalized play about the Salem Witch Trials.

The seductive 17-year-old has had an affair with her married 35-year-old employer, John Proctor, and subsequently lost her job. Still in love with him, she takes advantage of the mass hysteria to accuse his wife, Elizabeth, of witchcraft in the hope of replacing her.

But Dani Stoller, the Abigail in the Olney Theatre Center production, sees her as more complex, with more justification for her actions.

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Re-envisioned “My Fair Lady” mostly delights at Olney

My Fair LadyDanny Bernardy and Brittany Campbell star in the Olney Theatre Center's production of "My Fair Lady." COURTESY PHOTO  Virtually any production of “My Fair Lady”  – one of the best-beloved musicals ever – is always welcome.

Based on George Bernard Shaw’s “Pygmalion,” with books and lyrics by Alan Jay Lerner and music by Frederick Loewe, the 1956 Broadway hit has seen several revivals, inspired a major Hollywood film, and is expected to return to the Great White Way next year.

Who doesn’t know the story of the uneducated British flower girl transformed by the sophisticated phonetics professor, who, unbeknownst to him at first, changes as well? And who doesn’t love such delightful songs as “The Rain in Spain” and “On the Street Where You Live?? Happily, the show can be seen now at Olney Theatre Center. With its fine acting and singing and clever, but mostly minimalist set, this production overall rekindles the affection and admiration many of us feel for this classic musical and will no doubt win over younger generations as well. The production’s “fair lady,” Brittany Campbell, has a “loverly” voice (to quote one of her songs), which soars above the difficult high notes of “I Could Have Danced All Night.” But also packs a vengeful punch in “Just You Wait, Henry Higgins.

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